Click here for a full list of course offerings for Spring 2024.
Spring 2024 Courses
Undergraduate
Performance
MUS10b. Harvard Radcliffe Orchestra
MUS14b. Harvard-Radcliffe Collegium Musicum
MUS15b. Harvard Glee Club
MUS16b. Radcliffe Choral Society
MUS18b. Harvard Jazz Orchestra
Freshmen Seminar/Gen. Ed.
Fr. Sem. Broadway Musicals: History, Race, and Performance
Fr. Sem. The Symphonies of Dmitri Shostakovich
Introductory Undergraduate
MUS1. Bach to Beyonce
MUS20. Opera
MUS51b. Theory I
Concentrator Tutorials
MUS97S. Sophom*ore Tutorial
Upper Level Undergraduate
MUS107. Advanced Ensemble
MUS142r. Pan-African Musical Connections
MUS159. Popular Music
MUS164r. Composition Proseminar: Intermedia Composition
MUS168r. Analog Synthesizer and the Digital Age
MUS175r. Late Italian Madrigals: Monteverdi and Gesualdo
MUS177r. Creative Music: Advanced Ensemble Workshop
MUS187r. Opera Creation Workshop
MUS189r. Chamber Music Performance
MUS190r. Gospel Music from the Church to the Streets
MUS193r. The World of Salsa
MUS194r. Music and Politics in Afghanistan and Central Asia
MUS194rs. Music in Japan from Ghibli to Gagaku
Graduate
Bhf. Graduate Musicianship
MUS201b. Introduction to Music Scholarship
MUS208r. God of Hip Hop and Black Pop
MUS209r. Music, Emotions, and Social Reparations
MUS225. Musical Forms
MUS242r. Topics in Western Criticism: Voices & Books
MUS250hf. Teaching Pedagogy
MUS262r. Composition Seminar
MUS271r. Fromm Seminar
Spring 2024 Courses by Category
History, Culture, Society
142r. Pan-African Musical Connections
175r. Late Italian Madrigals: Monteverdi and Gesualdo
190r. Gospel Music from the Church to the Streets
193r. The World of Salsa
194r. Music and Politics in Afghanistan and Central Asia
194rs. Music in Japan from Ghibli to Gagaku
Graduate Seminars
201b. Introduction to Music Scholarship
208r. God of Hip Hop and Black Pop
209r. Music, Emotions, and Social Reparations
242r. Topics in Music Criticism: Voices & Books
Music Theory
51b. Theory I
159. Popular Music
Graduate Seminars
225. Musical Forms
Creating Music
10b. Harvard Radcliffe Orchestra
14b. Harvard Radcliffe Collegium Musicum
15b. Harvard Glee Club
16b. Radcliffe Choral Society
18b. Harvard Jazz Orchestra
107. Advanced Ensemble
164r. Intermedia Composition
168r. Analog Synthesizer and the Digital Age
177r. Creative Music: Advanced Ensemble Workshop
187r. Opera Creation Workshop
189r. Chamber Music Performance
Graduate Seminars
262r. Composition Seminar
Courses taken abroad or with Harvard’s summer school may be counted toward a secondary field with the permission of the department. Students must petition for DUS approval, which will only be granted after the course has been completed.
Music Theory Course Placement
Students interested in studying music theory courses at Harvard have access to a variety of courses. Before enrolling in Music 2 Introduction to Music Theory, Music 51a Theory Ia, or Music 51b Theory Ib, students are required to evaluate their educational experience with music theory.
More information about music theory course placement will be provided shortly. For general questions about music theory course placement, please email Liam Hynes-Tawa.
Cross-Registration and Concentration Credit
In select cases, students who have taken courses through Harvard’s cross-registration programs may be eligible to apply credits from cross-registered courses toward their concentration or secondary fields of study at Harvard. For more information, please visit the Cross-Registration for Harvard College website. Students interested in receiving credits in this way will need to petition using the Concentration Credit Petition for Cross Registered Courses. Please contact the Registrar’s office at enrollment@fas.harvard.edu for more information.
Performance Courses
Harvard’s Music Department offers a variety of jazz, classical, creative and world music performance courses, which typically culminate in a student recital at the end of each term. Performance courses receive Harvard College credit; most are eligible for music concentration credit.Not all courses are offered each semester.
Performance Courses
MUSIC 10 Harvard Radcliffe Orchestra
Federico Cortese, Director
MUSIC 14 Harvard-Radcliffe Collegium Musicum
Andrew Gregory Clark, Director
MUSIC 15 Harvard Glee Club
Andrew Gregory Clark, Director
MUSIC 16 Radcliffe Choral Society
Andrew Gregory Clark, Director
MUSIC 18 Harvard Jazz Orchestra
Yosvany Terry, Director
MUSIC 127 Intensive Conducting
Federico Cortese
MUSIC 186 Contemporary Chamber Music
Jessica Bodner, Claire Chase
MUSIC 189 Chamber Music Performance
Parker Quartet
Composition Courses
Harvard’s Music Department offers a full program of coursework that includes courses in music theory and composition, and includes styles ranging from jazz harmony to electroacoustic composition.
Academic Courses
The Department’s offerings include courses such as Music from the Silk Road, Music and Migration, Opera, Broadway Musicals, Modern Jazz, Film Music, and many more. Please consult the Course Catalog in my.harvard for full course descriptions each semester.
Artists in the Classroom
In addition to courses specifically in performance, performance of music is intrinsic to the study of all musics. Guest artists and lecturers frequently visit our classes to talk informally with students about a range of topics from the operas of Peter Sellars to how jazz relates to social movements to how Broadway artists think and work.
The Blodgett Artist-in-Residence Program of the Department of Music
The Blodgett Artist-in-Residence program is made possible through a gift from Mr. and Mrs. John W. Blodgett, Jr. The program provides for a distinguished string quartet to be in residence at the Harvard University Department of Music offering workshops, coachings, and serving as faculty for the Chamber Music course. The quartet is also available to read undergraduate and graduate student compositions, and to perform a composition by the winner of the annual Blodgett Composition Competition. The quartet gives four free public performances each year in Paine Hall, and others in the Harvard houses and other campus venues. The current Blodgett Artists-in-Residence are the Parker Quartet.
Additionally, the music department invites Blodgett Distinguished Artists to campus to lecture and perform in a variety of musical disciplines. Past artists have been Koo Nimo (Ghanaian music), The Clerks Group (medieval song), Sir Harrison Birtwistle (composer), TASHI (new music), Neba Solo (Malian balafon), Bahman Panahi (Persian music), jazz pioneer Geri Allen, and Wadada Leo Smith.
Master Classes and Coachings
The Parker Quartet are in residence at Harvard’s Music Department, and give weekly master classes to students enrolled in Music 189: Chamber Music Performance.
We also bring performing artists of all disciplines to campus to work with students; recent examples include singer Angelique Kidjo, conductor Sir John Eliot Gardiner, choral conductor George Benjamin, Broadway artists Marsha Norman and Lin-Manuel Miranda, and pianist Jeremy Denk. Additionally, we arrange informal meetings between undergraduates and Music Department special guests such as Herbie Hanco*ck and Laurie Anderson.
OFA Visiting Artist Programs
The Office for the Arts (OFA) is a rich resource for undergraduate performers as well. OFA operates a visiting artist program that provides opportunities for students to interact with professionals in all disciplines through master classes, workshops, informal discussions and other forums. The OFA also provides opportunities for students to work alongside professionals in producing visiting artist events, and runs several funding programs for student arts projects.